![]() We see in the final episode that she achieves that. In the first episode where we're introduced to Brienne in Season 2, she is fighting-and besting-the Knight of the Flowers.in order to become part of Renly's Kingsguard. "So she has gone on with her life and she has, amazingly, achieved exactly what she wanted from the very first episode of Game of Thrones. "What I like about it is that she, at that point, already has been made Commander of the Kingsguard," Christie told TVLine. Christie was not as bothered by that ending as many others were. "It does make sense, even though you don't want it to," he also said.īefore she joined the council (as the head of the Kingsguard, finally!) to talk about brothels and ships, we saw Brienne writing about Jaime serving his queen.which is something he basically abandoned her to do. He knows he has to go back and try to save her." He didn't say, 'Cersei, I don't love you anymore.' He said, 'I'm going to fight for the living because ultimately that's the only way you and the child you carry can live.' He has to go back. But you realize he's so bound by this code of honor of family first, and him and Cersei have a strong bond on every level. You wonder if he's changed and if he's escaped this destructive relationship. As an audience you want him to succeed in taking that different route. For a moment he tricks himself into thinking there is an alternative to his life. He kinda knows himself there is no alternative. ![]() "You know he's gonna come back, and it's not gonna have a happy ending, is it? The hardest thing is the fact that they actually find the balance, because he ends up with Brienne for a brief moment. It devastated fans, but Coster-Waldau told EW it always had to be that way. Jaime and Brienne finally hooked up, only for him to go right back to his sister with some excuse about how he's still a bad man. ![]() She's creating the noise by laying waste to people she doesn't need to lay waste to. If you talk to an addict, what they're escaping is their own thoughts, their own complete lack of self-worth. It provides noise when there's a deafening silence that you can't get through. Never enough to get this throne she's orchestrated her entire life toward. "And the reason why she makes the decision is a lifetime of pain, hurt, misery and disappointment and heartache and that she is never enough. But I have to do it.' And that's the headspace she's in at that moment." What makes them do it? What makes someone turn and go, 'I know this is wrong. So you could ask that question to any addict who's sitting at the bar who has been sober and decides to take up the bottle again. "I think there's a certain kind of just needing to feel something. " Miguel suggested that I should play it like she's an addict," she said. In an interview with the LA Times, Clarke explained how she played the scene when Dany decides to keep destroying the city, even as the bells are ringing. And she thinks, ‘He loves me, and I think that's enough.' But is it enough? Is it? And it's just that hope and wishing that finally there is someone who accepts her for everything she is and…he f-king doesn't." And there's just this last thread she's holding onto: There's this boy. One by one, you see all these strings being cut. Suddenly these people are turning around and saying, ‘We don't accept you.' But she's too far down the line. Since birth! She literally was brought into this world going, ‘Run!' These f-kers have f-ked everything up, and now it's, ‘You're our only hope.' There's so much she's taken on in her duty in life to rectify, so much she's seen and witnessed and been through and lost and suffered and hurt. I don't think she realizes until it happens - the real effect of their reactions on her is: ‘I don't give a s-t.' This is my whole existence. She goes, ‘Okay, one chance.' She gives them that chance and it doesn't work and she's too far to turn around. The problem is don't like her and she sees it. "She genuinely starts with the best intentions and truly hopes there isn't going to be something scuttling her greatest plans. In a "breathless monologue" to EW, Emilia Clarke summed up Daenerys' life and the tragedy of its end.
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