![]() Palmer’s rig is fairly substantial for a location sound recording cart. When I’m on location and in unfavorable conditions, I have a keyboard mounted in a drawer under the recorders to access all the menus and functions.” “When in a clean or studio environment, I use a laptop to access PIXNET, metadata entry, track arming and all that PIXNET provides. “Each machine is identical in setup with CompactFlash and SSD cards in both,” adds Palmer. With his current setup, Palmer uses two PIX 260i’s grouped as primary and backup recorders. Similar to Sound Devices’ portable gear, the stability and performance of the rack-mount PIX 260i has been excellent.” I have been very happy with the PIX 260i, as its features make it a viable cart-based recorder. “Being able to access all the functions and menu items of each recorder via the PIXNET web server has added to its ease of use. It was getting some traction in larger format installations, touring and studio environments, but not so much in our world of location sound recording for film and television. ![]() “Using network protocol-based I/O was new to production sound mixers in the field at the time. “I had been struggling with I/O paths, track counts, and options with other products available at the time, and the PIX 260i looked to be a welcome solution for location sound recording,” says Palmer. Palmer’s initial attraction to Sound Devices was the use of Dante for I/O. To deliver the sound that has become synonymous with his work, Palmer relies on Sound Devices for all of his recording needs. Some of his credits include the entire six-season run of the hit FOX television series, Glee (where he won the Primetime Emmy for Outstanding Sound Mixing), Better Call Saul, Battle Los Angeles, Star Trek, Entourage (TV Series) and the upcoming independent movie Wakefield, starring Bryan Cranston and Jennifer Garner. Palmer, CAS, began his career in Dallas, some 25 years ago. Emmy award-winning production sound mixer Phillip W.
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